Patrick Saint-Denis—Instrument As Media or Sharing Ideas Around Digital Lutherie
Presentation of recent intermedia works involving sonification and physical movement.
0906, 2020
0906, 2020
Evan Montpellier—Phase – An OSSIA Case Study
A discussion of the role of ossia in developing infrastructure for collaborative artistic research and production at the Topological Media Lab, as well its use in a specific video artwork
0906, 2020
Navid Navab—Improvised Play with Alchemical Matter | Composing for Materials to Perform
An approach to instrument conception that is based on a careful consideration of the coupling of tactile and sonic gestural action across the layers of physical and computational substrate in coordinated dynamical variation.
0906, 2020
Sofian Audry—Art + (Learning) Agents
Sofian Audry introduces recent work involving artistic installations based on agents that display behavioral patterns in real time as well as research on creative tools that facilitate the creation of such works.
0906, 2020
Martin Marier—12 Years of Sponging: Lessons Learned and Unanswered Questions
The sponge was used for musical performances for more than a decade. Over the years, the hardware, the software, as well as the approach to performance and musicality has evolved. Marier discusses the important technical breakthroughs (sensors, synthesizers and mapping) and the various musical approaches that were explored (solos, duets, quintet, graphical scores, improvisation).
0906, 2020
Julien Rabin—Mapping Authoring
The talk deals with Julien Rabin’s past ten years mapping authoring experience. Formerly in charge of research and development at the GMEA – National Center for Music Creation of Albi-Tarn, he has worked on various tools for mapping authoring for the Jamoma platform, especially within the OSSIA research project (2012-2014).